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Volume One
Music of the Native American Church
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Tribal Music Sovereignty & The Sacrament

"The Native American Church is a beautiful, humble way of life, and it is protected by federal law under the American Indian Religious Freedom Act. As federally recognized Indigenous First Nations people of the United States, we are protected under federal law to utilize this holy, sacred sacrament: peyote. We exercise that right through singing, praying, and sitting up all night."

We have been utilizing this sacrament as Indigenous people since time immemorial. While scientists claim to have found evidence of this medicine and ceremonial settings in archaeological records dating back over 20,000 years on the North American continent, our people have our own histories. Our stories tell us that peyote has been here with us since the beginning. It helped bring us this far in life, from those ancient times all the way up to today. Its divine nature is healing. We are one with it, and it is one with us.

Every single tribe has its own way of addressing this holy sacrament. We have our own traditional names for this medicine, and various tribes have unique ways of speaking to it, interpreting it, and understanding it. But overall, we love, respect, and honor it in a beautifully good way. We strive to live our lives in accordance with its teachings — doing our best to remain drug- and alcohol-free, and keeping our minds, bodies, and spirits as clean as we possibly can.

It is not something we play around with or take lightly; it is the backbone of many families throughout Indian Country. It has helped us through so much, and it will continue to help us and be with us. We do our best to protect it, advocate for it, and promote it in a good light because of the truth of what we know about it. Some people may have negative things to say, but we pray for those relatives, too — that this medicine might bless them and their families as well.

The songs go hand-in-hand with the peyote medicine fireplace. This medicine works alongside a sacred fire inside the tipi, resting upon the earth with cedar, sweetgrass, and water. Through the fire, the air, the stars, Mother Earth, the vegetation, the animals, the holy sacred instruments and all of creation under the cosmos — we are all one.

NAC songs don't have titles — they never have. I've never heard my elders or relatives give a name to the songs they sing. A song is a song. It carries what it carries.

These are catalogued the way they came to me — in order, in time, as they were composed. More volumes are coming. The songs keep coming. They always have.

"The music is free. It will always be free. You can't put a price on a blessing."

— Ronnie Lodgepole, Chippewa Cree
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Volume One
The beginning. The earliest compositions — songs that came first, when the songwriting started.
2
Volume Two
The second chapter. Compositions that followed as the voice grew.
3
Volume Three
Continuing the journey. Songs composed as life deepened.
4
Volume Four
The most recent recordings. More volumes are on the way.
Raised by the Drum
Chippewa Cree · Rocky Boy, Montana

My name is Ronnie Lodgepole. I'm a member of the Chippewa Cree Tribe of Rocky Boy, Montana. I grew up around the fireplace. My dad took me to ceremonies from the time I was young — alongside family, alongside relatives, alongside the songs that shaped everything I am.

That upbringing informed every part of my life. My prayer. My worldview. The way I see the world through a soulful, song-filled lens that makes everything wonderful. Life is beautiful through that.

I have a beautiful wife, beautiful children, a beautiful family of my own. Life wasn't always perfect or easy — but I was able to persevere. Through this music. Through these songs. Through creative outlets — designing, dancing, being a cultural person raised in a cultural setting. Through relationships built across Indian Country and Canada.

I've been singing Native American Church songs since I was about four years old. This music kept me drug and alcohol free. It gave me something good and positive to hold onto. I got so much value out of it that I could never place a monetary value on it. So this is my way of paying it forward.

RLP is how I share everything else. The music is the soul. The designs are the voice. Creator blessed my mind to be creative and I want to share a little bit of that with the world. There's a lot of negativity out there. I just want to put something positive into it.

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